Saturday, 17 November 2012

Surrealism


Surrealism was an art movement based in Paris, originating in the 1920’s. Freuds theory of unconsciousness influenced a lot of surrealists and the techniques to expose them. These include socially unacceptable thoughts such as sexual desires, traumatic experiences and painful emotions. Dreams and the change in perception became main themes.

Brassai’s photographs display surrealism in many ways, his series “Paris by night” 1933 celebrates the edges of society, juxtaposing the ordinary next to the extraordinary which a main theme recurring throughout many photographers work from the same time. On the other hand his series/picture “Involuntary sculpture” 1933 depicts accidental and coincidental discoveries. Although it might take a while to defer what the object is, this image shows a bus ticket folded and rolled up at the ends. This leads to many questions that arise from one photograph. It may depict someone’s boredom waiting either for or on the bus, unintentionally rolling the ends up. The title suggests that the object was come across by chance but Brassai made it a sculpture by taking a photo of it.

Other types of surrealism included Man Rays tests with film and exposing it to light, titled “Rayographs”, solarising the images. The print or negative is briefly exposed to the light during the development which creates the reversal of tones, especially at the edges.
In conclusion the key features of surrealism are themes such as the female body, representing sex, body vs mind and the unconscious. The visual language includes photomontages, juxtapostions, symbolism and solarisation.

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